I live in Brighton and work nearby in Hove where I have a space at the Biscuit Studios.
I enjoyed a range jobs before heading for college, including gardener, laminator, boatbuilder, joiner, set builder and commercial painter. I studied at Norwich and Sheffield Schools of Art and the University of Brighton. This led on to teaching undergraduate artists and theatre makers, in time becoming head of a college department of theatre, music and visual arts, a post I left to resume painting.
My early practical experience informs exploration of a range of materials and approaches. These in themselves become means of investigation and play. I use cold wax, oils, dry pigments and collage to build images.
My paintings lie between abstract and the figurative, drawing on landscape and still-life, dialogue with media and history. They are I hope, oblique observations on the world we live in.
ART AT 21 – BRIGHTON OPEN HOUSE
In celebration of the launch of a new Open House we’ve brought together a rich body of paintings, sculpture, photography, prints and cards from an exciting mix of innovative and diverse artists, drawing on a range of abstract and figurative themes. The venue in elegant Montpelier Crescent provides a sympathetic setting for contemporary Art at 21
Location : 21 Montpelier Crescent Brighton , BN1 3JJ
Open : Every weekend in May 2019 – 11am to 5pm
Kate was a member of Red Herring studios from1994 and joined Phoenix Brighton in 2008. During this time she has enjoyed working free-lance in a variety of media as a designer and maker, including: costume and set design, textiles, Youth/ community projects, residencies, teaching, and corporate events.
More recently Kate has returned to painting having :
‘found my old painting again and what l saw this time was something deeply familiar on several levels.
For many years l’ve used pots and domestic objects as subjects for silkscreen prints on textiles and paper and l was overwhelmed by the relationship between the imagery I’m fascinated with now and a piece of work l’d done over 25 years ago.’
Kate’s work is both elegant and timeless.
Born in Paris and raised in South-East Asia , Milena has been photographing for the past eleven years exploring and capturing images in cultures worldwide.
With an interest in all creative processes, Milena studied at the University of Brighton, compiling her first photography series titled Hidden Canvases. This series and subsequent collections explore the immense beauty Milena identifies in the unobserved imperfections and irregularities of our surrounding world.
Milena’s imagery often discovers acute political resonance in the visual poetry of the urban landscape.
Gary is a painter and poet. His imagery is resoundingly direct, unbothered by artistic self-consciousness and politeness; unrefined, unmannerly yet sensitive. He simply wishes to say ‘hello’ to the world as it passes him by.
Gary has exhibited his paintings and prints and has performed his poetry around the world: from the frozen wastes of Norway and Alaska down to the warmth of New Zealand and the Southern States of USA
‘There is a good deal of the shamanic in Goodman.‘ Prof Michael Tucker
‘Gary Goodman is driven – his work is elemental, searching, honest‘ Veronica Travers
Abstract painter Kate Scott is an exciting colourist whose work generates a sense of harmony underscored by tensions, collisions and questions. Kate instinctively uses an extensive palette, drawing and markmaking to convey emotion in response to nature and memory, often being inspired viscerally by music.
She says ‘There is often a battle between recklessness and control, natural expression and artificial order, the resulting truce being a feeling of balance, as if the images had just come into being, depicting a world within themselves.’
Recently Kate has been exploring the relationship between the space above the horizon and the solidity or not of what exists beneath, both in actuality/pictorially and metaphorically, the conscious and the unconscious.
A ‘returning’ painter; returning to exhibiting after a long period involved in teaching and managing in the Arts. Nick’s work bisects the horizon that divides the abstract and the figurative, exploring themes and objects set in a no-where land, landscapes or interiors.
Employing harmony, balance, simplicity, purity, shape and line, Ingrid recreates the beauty that inspires her work, found in the human face, figure, animals or nature. For Ingrid , a successful piece sparks emotion and captures the essence of human spirit that connects us all.
The search for the timeless is reflected in her use of clay – an ancient material used by artists throughout the ages.